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Lil Wayne is “not a human being.” Young Thug rocks designer parasols and celebrates Slime Season. It’s no coincidence that rap artists have reveled in being different ever since. Even their failures were bold and individualistic, like Andre’s off-key Prince impression/electro-jazz opus The Love Below. They exuded confidence on the mic by being themselves, rapping in rapid-fire triplets over organically produced funk and R&B compositions, establishing Southern rap as we know it. They made records with the patience of a BBQ chef, backloading them with luxuriously long, funk opuses, showcasing their love for George Clinton more deeply than Dr. They could be antiheroes, or media moguls, or poets, or rock stars – but outcasts? Aliens? Georgians? Outkast rose from the hip hop backwater of Atlanta by not pretending they were from New York. Until Big Boi and Andre 3000 came along, it wasn’t cool for rappers to brand themselves as outsiders. But Stefanie Mannaerts is a better singer than James Hetfield, and a better drummer than Lars Ulrich. The lead single from this Belgian post-metal trio’s forthcoming LP has a lot in common with Metallica’s “One” – a simple title martial lyrics an extended dramatic intro a thrilling, headbanging flashpoint.
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Over a swirling cold front of scary-ass piano loops, Quelle Chris raps about how his music is for everybody.Įlectric piano vamps and jazz drums should be the recipe for a Holiday Inn lounge set, but Honey Oat uses them as the base ingredients of an effervescent, experimental stew. Take a goddamn seat, Bruce Springsteen.īeginning with a shoutout to Digable Planets’s Blowout Comb ( the 59th best album of the 1990s), this Chicago emcee delivers a mix of jazz loops and positive vibes that lights up my nostalgia centers like a Christmas tree. We stay in the UK for this blast of raw, Neptunes-inspired swagger. The latest twist on the post- Stranger Things horror synth revival comes from these Londoners, who pepper their ominous atmosphere with distorted sax leads, like Kamasi Washington being chased by Michael Myers. Remember when people yelled at each other in person?Ħ. Like this homage to Houston night life, heavy with the syrupy air of a perfect summer Saturday.
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Solange has followed up her 2016 masterpiece A Seat at the Table with an even looser R&B hang-sesh, full of tracks that pulse with authenticity. It doesn’t matter how many times the youngsters shame online braggarts with their uncool-now-that-I’m-referencing-it meme, “Weird flex but okay.” They cannot stop 2 Chainz – a walking, talking weird flex who might be the most purely entertaining rapper working. This supergroup of moonlighting hardcore screamers happens to be incredibly good at writing catchy power-pop love songs.Ģ. But please-don’t-break-up-with-me songs? Those are the ones that break me. I love it when a rapper just tells me how a beat makes them feel.īreak-up songs can be tough listens. Including this one, where they make a bass line sound like a pot of water on a rolling boil, ready to receive any ingredient and make it sing.Ī sweeping, let’s-hold-hands-and-sway, Beatlesque ballad about how staying up on the hill doesn’t necessarily make you a fool.ĩ. Sault, the still-faceless UK rhythm & blues collective, dropped its fourth album of visionary jams in June. When the horns come in on this chorus, it’s like the clouds parting in a way the weatherman could never predict.
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Not super psyched for social situations to be making a comeback? This jazz-folk alienation anthem is for you: “Let my phobias control my habits / Let my habits form the shapes of days.” Their first track as Unto Others is a prime example of their Depeche Maiden formula, pairing a theatrically bleak worldview with punishingly catchy dual-guitar leads.
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If you thought it might’ve disrupted their mojo, worry not. This Portland goth-metal hook factory, formerly called Idle Hands, had to change its name last year due to copyright issues. Unto Others – “When Will Gods Work Be Done” Over a flute-speckled Henry Mancini sample, Tyler sets the table for Lil Wayne, who lays into the cut with effortless, syllable-spraying glee.Ĥ. Tyler the Creator isn’t just a sonic visionary who has left his gimmicky shock-rap roots in the dust – he’s an artist with the kind of big-tent vision that inspires old-timers to bring their A game. Speaking of irresistible disco grooves about falling in love on the dance floor…ģ. And by turning to the zodiac over this airy disco groove, the singer/songwriter elevates a simple story of two people vibing on the dance floor into a connection that must be written in the stars. Two years after sweeping us up in the whisper-delicate dream world of his last album, This Is How You Smile, Helado Negro feels like dancing.